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Alessandro Baricco (Italian pronunciation: [ale's:andro baˈrik:o]; born January 25, 1958)^[1] is an Italian writer, director and performer. His novels have been translated into a wide number of languages. He currently lives in Rome with his wife and two sons.

• 2Bibliography

Life[edit]

Baricco was born in Turin.^[1]

After receiving degrees in philosophy (under Gianni Vattimo) and piano, he published essays on music criticism: Il genio in fuga (1988) on Gioachino Rossini, and L'anima di Hegel e le mucche del Wisconsin ('Hegel's Soul and the Cows of Wisconsin', 1992) on the relation between music and modernity. He subsequently worked as musical critic for La Repubblica and La Stampa, and hosted talk shows on Rai Tre.

Baricco debuted as a novelist with Castelli di rabbia (translated as Lands of Glass) in 1991.

In 1993 he co-founded a creative writing school in Turin, naming it Scuola Holden after J. D. Salinger's Holden Caulfield. The Scuola Holden hosts a variety of courses on narrative techniques including screenwriting, journalism, videogames, novels and short stories.

In the following years his fame grew enormously throughout Europe, with his works topping the Italian and French best-seller lists. Larger recognition followed the adaptation of his theatrical monologue Novecento into the movie The Legend of 1900, directed by Academy Award-winning director Giuseppe Tornatore.

He has also worked with the French band Air, releasing 'City Reading', a mix of the band's music with Baricco's reading of his novel City.

He has directed the film Lezione 21 on Beethoven's Ninth Symphony and its critical reception.

Bibliography[edit]

Novels[edit]

• Castelli di rabbia, Rizzoli 1991, Tascabili Bompiani 1994; Lands of Glass, Penguin 1992. Awarded with Prix Médicis étranger – France
• Oceano Mare, Rizzoli 1993; Ocean Sea, ISBN0-375-70395-0, 1993. Awarded with 'Palazzo al Bosco' — Italy
• Novecento. Un monologo, Giangiacomo Feltrinelli Editore, Milan, 1994; Novecento: pianist, 1994.
• Seta, Rizzoli 1996; Silk, ISBN978-0-307-27797-8, 1996. (See Silk for the film adaptation.)
• City (original title), ISBN978-0-375-72548-7 (edition in English), Rizzoli 1999.
• Constellations (original title), 1999.
• Senza sangue, Rizzoli 2002; Without BloodISBN1-4000-3478-7, 2002. (Also published in revised form in The New Yorker)
• Questa storia, Fandango 2005.
• Emmaus, Feltrinelli 2009.
• Mr Gwyn, Feltrinelli 2011.
• Tre volte all'alba, Feltrinelli 2012.
• Smith & Wesson, Feltrinelli 2014.
• La Sposa giovane, Feltrinelli 2015.

Theater[edit]

• Totem, a literary and musical happening staged in various locations throughout Italy with varying structure and contents. Mostly it consisted of a two-night theatrical event in which Baricco himself, helped by director Gabriele Vacis, actor Eugenio Allegri and musician Daniele Sepe, would read and comment on bits of literature from all centuries and countries, accompanying them with music. In 2001 Rizzoli published the video of Totem recorded in Milan in 1997.
• Novecento, Feltrinelli 1994; The Legend of 1900 (1994) – originally a monologue for theater staged by director Gabriele Vacis, adapted in 1998 into a film by Giuseppe Tornatore, La leggenda del pianista sull'oceano, with music composed by Ennio Morricone.
• Davila Roa, staged only once by director Luca Ronconi. Reportedly a huge fiasco, it was never published in written form.
• Omero, Iliade, Feltrinelli 2004; An Iliad, Vintage International 2004 ( ISBN978-0-307-27539-4 ) – a rewriting of Homer's Iliad consisting of 24 chapters, each telling a part of the story through the eyes and words of a prominent character in the poem. The theatrical event from which the book originated was staged only twice due to its logistic difficulties: it spanned over three nights during which the best contemporary Italian actors would impersonate one character each, eight per night.

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Cinema[edit]

• Partita Spagnola, Audino Editore 2003 (screenplay never shot).
• Lecture 21, 2008 (written and directed).

Collected short writings[edit]

• Barnum. Cronache dal Grande Show, Feltrinelli 1995
• Barnum 2. Altre cronache del Grande Show, Feltrinelli 1998
• Next. Piccolo libro sulla globalizzazione e il mondo che verrà, Feltrinelli 2002
• Il nuovo Barnum, Feltrinelli 2016

Essays[edit]

• Il genio in fuga. Sul teatro musicale di Rossini, Il Melangolo 1988, Einaudi 1997
• L'anima di Hegel e le mucche del Wisconsin, Garzanti 1992
• I Barbari, La Repubblica 2006

Awards[edit]

Source: 'A note about the author' of Without Blood.^[1]

• Prix Médicis étranger — France
• Selezione Campiello — Italy^[2]
• Viareggio – Italy
• Palazzo al Bosco – Italy

References[edit]

1. ^ ^abc'Alessandro Baricco – Authors – Random House'.
2. ^'Premio Letterario Viareggio Rèpaci – Albo d'oro' (in Italian). Archived from the original on September 26, 2008. Retrieved January 13, 2011.

External links[edit]

• Alessandro Baricco at the Berlin International Literature Festival 2002/03

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This annotated enumerative bibliography lists all English-language translations of twentieth- and twenty-first-century Italian literature.

Lucca Racconta

Alessandro Baricco Questa Storia Pdf Editor Free

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From international bestselling author, Alessandro Baricco, comes a scintillating and sensual novel about a young woman’s ingress into a fantastically strange family. The hand of the young woman in question has been promised to the scion of a noble family. She is to make her preparations for marriage at the family’s villa, where the inhabitants never seem to sleep. The atmosphere turns surreal as the days pass and her presence on the family estate begins to make itself felt on her future in-laws. In this erotically charged and magical novel, Alessandro Baricco portrays a cast of mysterious characters who exist outside of the rules of causation as he tells a story, an adult fable, about fate and the difficult job of confronting the Other and creating an Us.

Giocasta La Giovane Tragedia Di Scena Mutabile In Verse Premesso Un Ragionamento Intorno Alla Mutazione Delle Scene

Seta Alessandro Baricco

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This collection of thirteen essays brings together Italian and American scholars to present a cooperative analysis of the Italian short story, beginning in the fourteenth century with Giovanni Boccaccio and arriving at the twentieth century with Alberto Moravia and Anna Maria Ortese. Throughout the book, the contributors carefully and intentionally unpack and explain the development of the short story genre and demonstrate the breadth of themes – cultural, historical and linguistic – detailed in these narratives. Dedicated to a genre “devoted to lightness and flexibility, as well as quickness, exactitude, visibility and multiplicity,” this collection paints a careful and exacting picture of an important part of both Italian and literary history.

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The International Who S Who

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Alessandro Baricco Questa Storia Pdf Editor Pdf

Calabria, 1927. Un territorio, un paese, una famiglia, isolati tra le montagne della Sila Grande, vivono oppressi dalla tirannia di un violento Barone che vuole sottomettere i fratelli Ferruccio e Pietro. Il Barone rifi utato, attenta alla vita del fi glio di Ferruccio, Nicola di 2 anni e, a distanza di tempo, dopo una strage, adotta con prepotenza Carmen di 4 anni, nipote acquisita di Pietro, rimasta orfana. L’astuto Pietro, detto Zione, si schiera con l’arrogante Barone. Obbedisce, sopporta, gli sta vicino aspettando il momento propizio per eliminarlo. Passano gli anni. Ferruccio ritorna dalla Campagna di Russia con un piede congelato, Nicola, fi danzato con Carmen, viene minacciato di morte e non può sposare la giovane incinta. Fugge a Miami dove chiede aiuto ad un potente boss. Il tiranno dopo altri scempi, delitti e violenze, viene ucciso da Pietro. Carmen ha il bambino e con Nicola ritornato, partono per la Florida dove apriranno un ristorante “italian kitchen”. Non dimenticheranno mai la Sila Grande, le clementine, la faggeta, la “viddanedda”, la “’nduja”, le fontane, la processione di Santa Caterina. Ricorderanno la Calabria per sempre, “with love”. Romanzo ispirato ad una storia vera.

Postal Culture

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The nationalization of the postal service in Italy transformed post-unification letter writing as a cultural medium. Both a harbinger of progress and an expanded, more efficient means of circulating information, the national postal service served as a bridge between the private world of personal communication and the public arena of information exchange and production of public opinion. As a growing number of people read and wrote letters, they became part of a larger community that regarded the letter not only as an important channel in the process of information exchange, but also as a necessary instrument in the education and modernization of the nation. In Postal Culture, Gabriella Romani examines the role of the letter in Italian literature, cultural production, communication, and politics. She argues that the reading and writing of letters, along with epistolary fiction, epistolary manuals, and correspondence published in newspapers, fostered a sense of community and national identity and thus became a force for social change.Download

Sinnschaffende Verfahren In Italienischen Volksm Rchen

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